Sacred images emerge from the (deliberately) peeling, scratched, falling wall,taken by the artist himself and affixed to collages. The statues of the Church of the Great Mother of God of Turin are the protagonists. The artist becomes iconoclastic and deliberately deforms them: graffiti, writings,
graphic signs, tears affect the clean shape of the marbles. The impression is of being in front of gods
urban posters falling and smeared with writing.

Like happens on the La Fede, becomes the same on La Religione,the Street art, whose appeal is unquestionable, is literally “torn” from urban walls and
revived within a circumscribed and elegant environment like the painting: the effect is equally disruptive, controversial. Sacred icons are dominated by a set of signs free and with colored graffiti writings, which follow some aspects and deform others.

From the trilogy they emerge “Faith in Religion”, the desired fusion of the other two works. Sacred images emerge from the peeling, deconsecrated and decadent back wall, taken by the artist himself and affixed a collage, to express the hypothetical vision of the future.